Two Minute Silence

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I remember standing with my classmates at Marple Elementary School for a period of silence on November 11. It was Armistice Day, the anniversary of the end of World War I.

Observing the silence was hard! It wasn’t happy; it was sad. It was an enforced unhappy silence to remember what none of us kids wanted to remember: those who had died in an antique time in service to their country, and the horrors of war itself. I must have wondered why our teachers would enforce a sad silence that made us unhappy. In 1954 Armistice Day became Veterans Day in America. (Click HERE for information about the change.)In Canada, Europe, Great Britain, and Australia, November 11 is called Remembrance Day.

Malcolm Guite — Anglican priest, song writer and poet in Cambridge, England — recalls his experience of the public Two Minutes Silence of Remembrance Day in Silence: a Sonnet for Remembrance Day,

On Remembrance Day I was at home listening to the radio . . . when the time came for the Two Minutes Silence. Suddenly the radio itself went quiet. I had not moved to turn the dial or adjust the volume. There was something extraordinarily powerful about that deep silence from a ‘live’ radio, a sense that, alone in my kitchen, I was sharing the silence with millions. I stood for the two minutes, and then, suddenly, swiftly, almost involuntarily, wrote this sonnet. You can hear the sonnet, as I recorded it on November 11th three years ago, minutes after having composed it, by clicking . . . clicking on the title.

Silence

November pierces with its bleak remembrance
Of all the bitterness and waste of war.
Our silence tries but fails to make a semblance
Of that lost peace they thought worth fighting for.
Our silence seethes instead with wraiths and whispers,
And all the restless rumour of new wars,
The shells are falling all around our vespers,
No moment is unscarred, there is no pause,
In every instant bloodied innocence
Falls to the weary earth, and whilst we stand
Quiescence ends again in acquiescence,
And Abel’s blood still cries in every land
One silence only might redeem that blood
Only the silence of a dying God.

— Malcolm Guite, Sounding the Seasons

Blake_Cain_Fleeing_from_the_Wrath_of_God_(The_Body_of_Abel_Found_by_Adam_and_Eve)_c1805-1809

William Blake painting of “Cain fleeing from the wrath of God “as Adam and Eve look on in horror following the fratricide.

All these years later, I still struggle with silence on November 11, and on days like yesterday, the 80th anniversary of The Night of Broken Glass (Kristallnacht). Yet, as a person of faith who knows darkness as well as light, I have learned over the years to silence the radio for an unenforced Two Minute Silence.

Abel’s blood still cries in every land
One silence only might redeem that blood
Only the silence of a dying God

— Gordon C. Stewart, Chaska, MN, November 11, 2018.

Christ the King

Poet Malcolm Guite’s poetry holds the essential paradox of the Christian faith and life. Open the re-blogged piece to read and listen to his poem for the last Sunday of the Christian liturgical year, Christ the King Sunday.

Malcolm Guite

20111119-111210We come now to a feast of Ends and Beginnings! This Sunday is the last Sunday in the cycle of the Christian year, which ends with the feast of Christ the King, and next Sunday we begin our journey through time to eternity once more, with the first Sunday of Advent. We might expect the Feast of Christ the King to end the year with climactic images of Christ enthroned in Glory, seated high above all rule and authority, one before whom every knee shall bow, and of course those are powerful and important images, images of our humanity brought by him to the throne of the Heavens. But alongside such images we must also set the passage in Matthew (25:31-46) in which Christ reveals that even as He is enthroned in Glory, the King who comes to judge at the end of the ages, he is also the hidden King…

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Verse – The Bird in the Tree by Ruth Pitter

Scroll all the way down to the link View the Original Post to read and hear Ruth Pitter’s poem The Bird in the Tree.

Malcolm Guite

https://lanciaesmith.com/image-for-the-day-advent/ https://lanciaesmith.com/image-for-the-day-advent/

For January 2nd in my  Anthology from Canterbury PressWaiting on the Word, I have chosen to read The Bird in the Tree by Ruth Pitter. On New Year’s Eve we considered Hardy’s almost reluctant glimpse of transfiguration ‘when Frost was spectre-grey, and ‘shrunken hard and dry’, and Hardy’s heart, bleak as the world through which he moves, nevertheless hears for a moment the ‘ecstatic sound’ of his darkling thrush. And even though he wanted to end his poem with the word ‘unaware’, something of the transcended has ‘trembled through’ his poem. Today’s poem, also about hearing a bird in a tree, also addresses the question of how the transcendent might for ‘a moment of time’ ‘tremble through’ into the immanent.

You can hear me read this poem by clicking on the title or the play button. the image above was created by Lancia Smith, and carries a quotation…

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O Radix, A Third Advent Reflection and Sonnet

We’re pleased to re-blog Malcolm Guite’s poem “O Radix“[Latin for Root], a movement from “the surface of the wide-world screen” to “the forgotten root…of every living thing.”

Malcolm Guite

https://lanciaesmith.com/image-for-the-day-advent/ https://lanciaesmith.com/image-for-the-day-advent/ The third Advent antiphon,inmy Advent Anthology fromCanterbury PressWaiting on the Word, O Radix, calls on Christ as the root, an image I find particularly compelling and helpful. The collect is referring to the image of he ‘tree of Jesse the family tree which leads to David, and ultimately to Christ as the ‘son of David, but for me the title radix, goes deeper, as a good root should. It goes deep down into the ground of our being, the good soil of creation. God in Christ, is I believe, the root of all goodness, wherever it is found and in whatsoever culture, or with whatever names it fruits and flowers, a sound tree cannot bear bad fruit said Christ, who also said, I am the vine, you are the branches. I have tried to express some of my feelings for Christ as root and vine more…

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O Adonai, a second Advent reflection and sonnet

Malcolm Guite

Malcolm Guite

NOTE: Anglican priest, songwriter and poet poet Malcolm Guite is becoming a favorite of VFTE. His work reflects that playful but profound interplay between the particular and the universal that is poetry’s great gift. Here’s Malcolm’s post for today.

  • Gordon C. Stewart, Chaska, MN, Dec. 18, 2015. Malcolm writes from Cambridge, England. Click the link:

O Adonai, a second Advent reflection and sonnet

Link

“I cannot think unless I have been thought,
Nor can I speak unless I have been spoken….”

Opening lines ofSapientia” by Malcolm Guite.

Click  Advent in Music, Poetry, and Steve Bell’s Pilgrim Year, sit back, and enjoy the beauty of the poetry.

  • Gordon C. Stewart, Chaska, MN, Dec. 13, 2015