Jesus understands himself as king and where his kingdom is from radically different. Pilate doesn’t get it. The crowds don’t get it. Even Jesus’ close disciples haven’t gotten it yet. In that humble peasant, from the virgin womb of Mary, God entered the world, breaking through all categories, possibilities and imaginings. The Word of God who first spoke all creation and universes into being now has spoken again. A second holy Word took form but this time the birth came as God was and is willing to become empty. The apostle Paul captures it in the mystical hymn in Philippians: “…thought he was in the form of God, did not regard equality with God… but emptied himself, … being born in human likeness.” Jesus’ kingdom is not from this world, but in this world, grounded in and flowing from the eternal God, what we now call the Trinity: God, Creator, God, Christ, and God, Spirit.
It’s like when God birthed the created worlds, God already had another birth in mind. God’s Word would speak another creation. The Spirit Breath who give human life and form from the dust was not finished. The Trinity was not complete until the human experience could join in the circle, the abundant, ever-flowing Love. And now God’s experience in human form nears the end, the pain and suffering of crucifixion.
But, ponder this thought by a contemporary mystic, Bernadette Roberts. Maybe the hardest thing for Jesus was not the crucifixion, but the incarnation – to leave the circle and connection of Love to learn and teach how to hold on to and live in that flow of Love caught in bodily form. And we can picture that Circle, can’t we, the world of Christ the King, the kingdom Jesus is from. It’s the picture we see on the icon of the Trinity by Rublev.

Angels at Mamre Trinity, Rublev
We all know it – the beloved the one we take with us on vacation and hold up for photos on Facebook. I brought my personal one this morning and it’s on the altar. It was “written” in 2000, (the verb used when making an icon) by Eugenia. At that time, she was imprisoned in the largest women’s prison in Europe, outside of St Petersburg, Russia. Her crime was counterfeiting. However, Father Nicolai, pastor to the prison, thought her counterfeiting skills could be redeemed. Released under Father Nicolai’s watch, Eugenia was taught icon “writing” to help support her 3 daughters. Before she paints the copy of an icon, Eugenia goes through all the traditional rituals, including prayer and fasting.
Through the vision of a monk on Mount Athos, Greece, around 1260, and the hand and heart of an alcoholic felon, we see the “dance of the Trinity” – gathering in communion, gazing in a circle of love, pouring out within and beyond that Love to all creation. Given the three figures dominating the scene in their bright robes and adoring gazes, perhaps you have missed a small detail in the icon. I have. It was just pointed out to me recently. It’s under the table, a small brown box.
An ancient story about the the Rublev icon is that originally there was a mirror on top of the box. So, as one sits in front the icon and ponders the kingdom of God, the Trinity, one is able to see oneself as the fourth figure in the circle, at the table, in the flowing love always moving, expanding, tumbling out to all creation, in all time. From the beginning, God envisioned a fourth place in the Love.
Jesus said, “For this I was born, and for this I came into the world, to testify to the truth.” “Pilate asked him, ‘What is truth?'” Jesus spoke no answer that day. His life was and is the answer. The truth Jesus lived and died is that each of us, Eugenia, Pilate, all people have a place at God’s Table, in God’s heart, in Christ the King’s kingdom. Our response is to see ourselves in the mirror and claim our place. Amen.