A Climate Dialogue: the Challenge Before Us

The day Pete Seeger died, Susan Lince composed a song on climate change in honor of Pete. The song, written as a lament spoken back to us by our grandchildren and all future generations, asks repeatedly “You knew… Why didn’t you take a stand?”

Susan and John Lince-Hopkins created Requiem2020.org as a means of rallying artists to widen public consciousness and awaken a new sense of ecological responsibility in the face of climate change and climate departure. John and Susan taught and painted in Alaska. John, a scientist as well as painter, helped supervise the clean-up operation following Exxon-Valdez.

Click HERE for the Evite to First Tuesday Dialogues’ program on Climate Departure led by John and Susan. The song on climate departure, arranged with Susan’s grandson, will debut at this event.

Date: Tuesday, March 4, 2014
Time: 7:00 – 8:30 P.M.
Place: Shepherd of the Hill Presbyterian Church, 145 Engler Blvd., Chaska, MN 55318.

Poem: Every Stone Shall Cry

Original art by Susan Lince - "Every Stone Shall Cry"

Original art by Susan Lince – “Every Stone Shall Cry”

The stone lies
Near the pile of boulders
In the city park
Watching over the man asleep
In his cardboard shelter
And cries.

And every stone shall cry

The stone cries
Along the roadside
As the bomb explodes
Killing young soldiers
As well as the children nearby.

And every stone shall cry

The stone knows to cry
Even before the excavator
Upheaves the earth
To take away the coal
And leaves only a ragged empty space.

And every stone shall cry.

The ancient stones
Of the wailing wall
Cry as they have cried for centuries,
Listening to the prayers
Of the sufferers
And the selfish,
The grieving,
And the greedy
That reverberate
With echoes of misunderstanding
About who has been left out
Of the Kingdom of God on Earth.

And every stone shall cry.

Every stone shall cry
Yet goes unheard,
As humankind,
With hardening core,
Pushes violence, power,
Injustice, and neglect
Rumbling across the world
Like boulders.

– Susan Lince, artist and poet, Chaska, MN.

Pete Seeger to the rest of us

Video

Pete Seeger sings a song that rallies the best in us to continue his work of changing the world. God’s countin’ on me; God’s countin’ on you!

Every Stone Shall Cry

 

The stone lies

Near the pile of boulders

In the city park

Watching over the man asleep

In his cardboard shelter

And cries.

 

And every stone shall cry

 

The stone cries

Along the roadside

As the bomb explodes

Killing young  soldiers

As well as the children nearby.

 

And every stone shall cry

 

The stone knows to cry

Even before the excavator

Upheaves the earth

To take away the coal

And leaves only a ragged empty space.

 

And every stone shall cry.

 

The ancient stones

Of the wailing wall

Cry as they have cried for centuries

Listening to the prayers

Of the sufferers

And the selfish

The grieving

And the greedy

That reverberate

With echoes of misunderstanding

About who has been left out

Of the Kingdom of God .

 

And every stone shall cry.

 

Every stone shall cry

Yet goes unheard

As humankind

With hardening core

Pushes  violence

Power

Injustice

And neglect

Rumbling across the world like boulders.

– Susan Lince, Chaska, MN, January 26, 2014

Verse – “Blessed Mary”

The CHOIR magnificently sang
Bach’s LOUD complex “Magnificat!”
The orchestra was small, but rang
Out BRASS and DRUMS and ORGEL that
Reverberated through the Hall.

That GOD was GREAT there was no doubt,
The fugue repeated that till all
Could not help but join in the SHOUT!

(but then the oboe d’amore stood
and quietly began with D
a tune of slave and poverty…
the cello cello cello droned

and high above soprano mild
sang about the coming child.)

– Steven R. Shoemaker & Margaret R. Grossman, December 13, 2013

Touching the Light

Elizabeth Barrett Browning: Earth Crammed with Heaven

Earth is crammed with heaven,
And every common bush afire with God;
But only he who sees
Takes off his shoes –
The rest sit around it and pluck blackberries.

– Elizabeth Barrett Browning

Join the Call to Artists to take off your shoes before climate departure leaves us with no blackberries to pluck. Read yesterday’s post: Before the Planetary Requiem

Before the Planetry REQUIEM

If scientists are right (see Nature), by 2020 the first effects of Climate Departure should already be a part of the human experience.

In light of both science and faith, Shepherd of the Hill Presbyterian Church in Chaska, MN is issuing this invitation in anticipation of Earth Day, 2020, in hopes it will catch on. The Call is conceived by visual artist and scientist John Lince-Hopkins, a member of Shepherd of the Hill:

EARTH DAY
Wednesday, April 22, 2020

A GLOBAL CALL TO CREATIVE PEOPLE OF ALL TYPES TO CREATE, PERFORM, AND DISPLAY THEIR BEST WORKS:
COMPOSERS,
MUSICIANS,
MUSICAL GROUPS,
RECORDING ARTISTS,
AUTHORS,
POETS,
VISUAL ARTISTS,
PHOTOGRAPHERS,
VIDEOGRAPHERS,
FIBER ARTISTS,
PERFORMANCE ARTISTS,
DANCERS,
…AND THOSE UN-NAMED.

JUST SEVEN SHORT YEARS TO CREATE SEMINAL WORKS ABOUT THE STATE OF OUR PLANET AND OUR REALIZATION OF THE INEVITABLE CONSEQUENCES OF OUR CLIMATE TO ALL LIVING THINGS AND THE ECOSYSTEMS THAT SUPPORT THEM.

Think Globally, Act Locally!

The World in a Tunnel

Can the whole world shrink to the size of a walking path tunnel in Chaska, Minnesota?

On our morning walk, while Barclay sniffs his way along the path for signs of smaller creatures who might not have made it through the night, my eyes were drawn to the graffiti on the both sides of the tunnel. Boldly painted in black or red, the logos belonged to gangs or gang wannabes.

Eight years at the Legal Rights Center in Minneapolis left me we a knowledge of graffiti and tagging. Our defense attorneys sometimes defended “taggers”, self-proclaimed creative artists who used public space as their canvasses. Other times the graffiti was posted by a gang member to announce the gang’s claim to a block or a neighborhood. Often the gangs were competing for control. In that case, there were at least two “tags” and sometimes many: Latin Kings, the Crips, or the Gangster Disciples. The graffiti meant, “Don’t mess with us. We own this neighborhood.”

In Chaska this morning the tunnel walls were filled with gang symbols, most likely by kids who are gang “wannabes”, kids in a small city pretending to be gangsters the way my generation used to play cops and robbers or Cowboys and Indians. You couldn’t be both a cop and robber. You couldn’t be a cowboy and an Indian. You were either in the one gang or the other. We’re all in some kind of gang where we get our sense of identity and the security that comes with belonging to something.

Walking through the tunnel was like living for a moment in a microcosm of the world where the small town folks’ claims of ownership and the threats of violence mirror and replicate the power of greed, the lust for power and “the good life” that filters down from The Boss, Trump’s Tower, Wall Street, the Mall, Afghanistan, Iraq, and Washington, D.C. where the will to security and power is the motive force.

Meanwhile, six-month-old Barclay, the 10-pound puppy on my leash ignores the walls and sniffs the macadam for a mouse that has already died, unaware of handwriting on the walls of the superior species of his master.

– Gordon C. Stewart, Saturday morning, November 16, 2013

The Pianist (an acrostic)

Jowls quiver before he will play a note,Raise arm now

Each beat and accent felt inside his frame.

In a swoop, the sounds will float,

Enter the air above the piano–same

Mozart motions when he directed, played:

Yes, fellow genius, centuries apart…

Drums, trumpets, strings, a dance, a dirge–all made

Entirely one, unity from the start.

No score for pianist. Eyes are often shut

Keys are played from memory, mind…and heart.

BACKGROUND:The San Francisco Symphony, Directed by Michael Tilson Thomas, played tonight at Krannert Center for the Performing Arts. The Mozart Piano Concerto No. 25 in C Major (1786) was performed by Jeremy Denk, who in September received a MacArthur Foundation “Genius” Grant. He is a writer for the New Yorker & has a blog recently selected by the Library of Congress Web Archives.

– Steve Shoemaker, Urbana, IL, Nov. 15, 2013