This remembrance of Dennis Aubrey, written by Dennis’s brother for Via Lucis, touches the heart and soul, and the expansive brilliance known by those whose lives have been deepened and enriched by him. There is opportunity to comment or leave your condolences for PJ and members of PJ and Dennis’s family.
It is with infinite sadness that I must tell you that Dennis passed away suddenly last Friday. I write this on behalf of his wife and partner, PJ.
With his passing, Dennis leaves a gaping abyss in our lives. He was a man larger than life, zestful in his embrace of all that life offered. Readers of this blog enjoyed the excellence of PJ and Dennis’s photographic art, and the enlightening and entertaining musings that accompanied those featured photographs.
The power of Dennis’s writing derived from his encyclopedic brain: he brought his vastly read knowledge to every subject he wrote about, whether history, or philosophy, religion or geometry, music or poetry. Via Lucis isn’t simply a photography blog. It isn’t simply an art and architecture blog. It is a brief—and intriguing—glimpse into the mind of one of the artists who brings these Romanesque churches to life through photograph and word.
Light through a window of the Basilica of the Madeline in Vézelay, France – Photo by Dennis Aubrey
Reason only partially explains why and how some people become friends.
“Reason, you’ll always be half blind,” said Mechtild of Magdeburg, the 13th century German mystic beguine, author of The Flowing Light of Divinity.
There are reasons that partially explain why and how Dennis Aubrey and I became friends. Cyberspace is how we met. I can’t recall which of us started the conversation. I do know that finding Via Lucis: Photography of Religious Architecture was like a window opening a dark room to light and air. Why one of us reached out to comment on the other’s site had its reasons. Each of us was wading in the same waters, asking the same questions. Dennis did it by means of professional photography and commentaries on Romanesque and Gothic churches in France and Germany. I did it through commentaries on faith and public life.
Wading in the same waters differently led us to each other. Although I have always loved beautiful architecture, I knew little about Romanesque and could not have cared less about the Medieval period when the Romanesque cathedrals, basilicas, and churches were built. These structures were the waters in which Dennis sought and found light. The ancient texts of Hebrew and Christian scripture were the waters in which I did the same. Discovering each other wading in the same waters differently led to an eight year friendship in person at Dennis and PJ’s new home in Ohio, by internet comments on each other’s work, and the kind of phone calls peculiar to close friends.
Last Saturday I called Dennis to discuss his latest posted on Via Lucis. There was no answer. Perhaps I’d called too early. Perhaps he and PJ were in France. Perhaps they had driven to the Amish farm stand where the Amish adolescent sold them organic vegetables or had gone to the Amish auction. Or maybe Dennis had silences his cell phone. I left a voicemail. An hour later at 9:43 A.M. the return call came from Dennis’s cell phone number. But the voice was not Dennis’s, it was PJ’s. “I can’t believe you called,” she said. “Dennis died last night.” Our worlds suddenly became smaller.
As the hart panteth after the water brooks, so panteth my soul after Thee, O God. My soul thirsteth for God, for the living God: when shall I come and appear before God? [Psalm 42:1-2 KJV]
Panting after the water brooks
Faith takes many forms. Which forms, if any, are grounded in reality is a lifelong quest for some of us. A cynic may dismiss all forms of faith as ungrounded — floating in the clouds of human imagination and illusion. Yet there remain those murmurings from within or the majesty one sees outside the self in nature or great works of art. Dennis and PJ posted an an announcement and invitation to a new exhibit July 29 bearing the artists’ witness to imagination: “This exhibition is not about the iconographic programs of medieval historiated capitals, but rather an appreciation of the human imagination that created these sculptures.”
The search for authentic faith — trust in something greater than the self and all that we can see, feel, taste, smell, or touch — is not a straight line. It spirals between opposites. We disbelieve and believe. We believe and disbelieve. We fall and we get back up. We gasp for air and we gasp in awe. We turn our backs on the past and embrace it again as though we’d never met it.
When shall I come before Thee?
St. Augustine wrote that our hearts are restless until they find their rest in Thee. Like faith itself, what the Hebrew psalmist called the soul’s ‘panting’’ and Augustine called ‘restlessness’, takes many forms. Sometimes, as in the parable of the lost son, it takes us far away from the water brooks; sometimes it goes numb; sometimes it draws us closer to the water brooks. But even there by the side of the water brooks, like Narcissus, we refuse to drink.
Dennis was on a lifelong search for what the psalmist likened to a deer thirsty for water — longing for union with the Ineffable that was shrouded in mystery but given to his eyes in a shaft of light reflecting on a stone wall at dusk, or on one of the capitals the craftsmen of a by-gone time invited his imagination and research. He shared in photography and commentary moments where his panting desire for God was quenched by the stones themselves: the song of Mary Magdeline echoing from the stones of the Basilique Sainte Madeleine in Vézelay, and the sounds of uncluttered simplicity and beauty of Gregorian chant that calls us to remember who and Whose we are.
His last words on Via Lucis were posted in reply to his latest and most personal post. “Judy, thank you so much. It is the ineffable sensation of that spirituality that drives both PJ and me when we photograph.”
Deep calleth unto deep at the sound of Thy waterspouts.
Dennis was joyful. He was attuned to the calling of the Deep. He was reverent before the abyss, the yawning hole in existence itself, the nights haunted by the 3:00 o’clock in the morning questions that beg for answers. He shared those times of wrestling with PJ and with Rudy, the cat on his lap in whom he took such delight, and, sometimes, with readers of Via Lucis. I could only say “Yes! Yes! Yes!” Opening one of his posts on Via Lucis was like meeting the twin brother I didn’t know I had. No matter how deep into the Deep his blog posts would go, there was always the echo of the Divine calling to him from the depths.
My soul is cast down within me.
Dennis had an eye for beauty and the camera and words to reflect what he saw when he took the shot. It was a rare gift. The antidote to sleepless nights was a day with PJ in a Romanesque Basilica like the one at Vezelay, waiting for the precise moment when the light and shadows would be just right. The beauty was already there in the stone walls and buttresses, the choirs, chancels, the side chapels built to the glory of God by artisans whose names were forever lost to future generations. I think Dennis saw himself as one of them, creating works of art that drew attention not to himself but to his subject.
Only wonder comprehends anything
Looking back after he has left us, it occurs to me that Dennis’s faith was of the Eastern (Byzantine) tradition of Christianity much more than of the Western (Roman) tradition in which he was raised. Dennis could well have spoken the words of Gregory of Nyssa.
“Concepts create idols; only wonder comprehends anything. People kill one another over idols. Wonder makes us fall to our knees.”
He was horrified by what had been done in the name of Christ: the Crusades that swept through the world like a wild fire, destroying towns and villages, and disobedient monastic sites because their concepts were not right.
The kind of thing that sunshine is
Concepts are ‘cataphatic’; wonder is ‘apophatic’. Cataphatic religion is logical — it lives in the head. Apophatic spirituality is awake to what cannot be reduced to a concept. Dennis’s artistic spirit was apophatic — awake to the beauty all around him and cringing at human cruelty produced by the idols in our heads.
Just as many questions might be started for debate among people sitting up at night as to the kind of thing that sunshine is, and then the simple appearing of it in all its beauty would render any verbal description superfluous, so every calculation that tries to arrive conjecturally at the future state will be reduced to nothingness by the object of our hopes, when it comes upon us.
Gregory of Nyssa (c.335-c.395 CE)
Dennis’s writing respected the ineffability of sunshine with words that helped us see the beauty his apophatic eyes had seen.
“I shall yet praise him”
The poetry of Psalm 42 was akin to the poetic imagination by which the Hebrew prophet Isaiah described his experience in the temple:
In the year that king Uzziah died I saw also the Lord sitting upon a throne, high and lifted up, and his train filled the temple. Above it stood the seraphim: each one had six wings; with twain he covered his face, and with twain he covered his feet, and with twain he did fly. And one cried unto another, and said, Holy, holy, holy, is the Lord of hosts: the whole earth is full of his glory. And the posts of the door moved at the voice of him that cried, and the house was filled with smoke.
Isaiah 6:1-4 (KJV)
In the 20th and 21st centuries Isaiah’s temple was a Romanesque church Dennis and PJ experienced in ways best expressed in poetic prose and photograph. Their art brought to life our sense of the seraphim soaring above the throne of the Holy One. Those gasping for air found ourselves gasping with awe at what the eye of this gentle soul had seen. Sometimes the Ineffable takes our breath away and drops us to our knees in an empty church where the sun still shines its light on the stones, the stones cry out, and the Magdeleine still sings.
Dennis Aubrey of Via Lucis became a friend after we found each other’s work through the web. As he has many times before, Dennis has spoken for me.
By the rivers of Babylon, there we sat down
Yea, we wept, when we remembered Zion.
We hanged our harps upon the willows in the midst thereof.
For there they that carried us away captive required of us a song;
And they that wasted us required of us mirth, saying, Sing us one of the songs of Zion.
How shall we sing the Lord’s song in a strange land?
Psalm 137:1-4 (King James Version)
When I lived in Los Angeles from 1972 to 2000, the city was filled with men and women who lived and died on the streets. It seemed an inevitable part of urban life, where displaced humanity would collect in the hidden corners of our cities. Facilities for the mentally ill had closed, prices for homes had accelerated and more people lost their ability to own or even rent. I knew what was happening in the rust…
Some people in pulpits are skeptics as well as believers. I am one of them. Of the 12 apostles, I feel the deepest kinship with the Thomas, who refused to take someone else’s word for what lay beyond his empirical verification. But there are moments when someone shows up unexpectedly to coax a Thomas into the realm of the Ineffable. Dennis Aubrey’s Via Lucis description of his day in the Romanesque Church of the Magdalene was a moment like that. It wasn’t until early this morning, that I noticed the Via Lucis site still recommends a link to the sermon evoked by Dennis’s “Elle Chante, Pere!” (The Stones Are Singing.) The words of Jesus about the stones — “if these [people] keep silent, the very stones will cry out’ — has always been close to my heart.
“The Search for reason ends at the known; on the immense expanse beyond it only the sense of the ineffable can glide. It alone knows the route to that which is remote from experience and understanding. … We sail because our mind is like a fantastic seashell, and when applying our ear to its lips we hear a perpetual murmur from the waves beyond the shore.”
Dennis Aubrey’s writing is as fine as his photography, fathoming the depth and height of the human experience. This Via Lucis piece on the power and complexity of memory shouted out to be shared on Views from the Edge.
Recognizing truth is a matter of experience because it involves distinguishing the real from the illusory. Experience itself is a product of memory. And memory is even more complex than truth. And so the pattern gets more multi-faceted the deeper we look, like one of Mandlebrot’s mathematical phantasms. What appears at first simple becomes infinitely complicated and intricate.
Side aisle, Basilique Saint Remi, Reims (Marne) Photo by PJ Aubrey
Some memories we remember as dreams, in the present tense; others as historical phenomena that stay safely in the past. Some memories carry their meaning with them. Others mean something because of their relationship with something that occurred in the past. Others depend on the future to reveal their significance. This is the web that is woven back and forth, across and through time.
North side aisle, Eglise Saint-Étienne, Vignory (Haute-Marne) Photo by Dennis Aubrey
Dennis Aubrey’s Via Lucis photographic reflection on the different between Gothic and Romanesque architecture opens the Infinite Interior I needed this morning.
If you, too, are looking for light in the midst of darkness of whatever sort, this is for you. If you read nothing else, scroll down to the last paragraph and ponder our own infinite interior.
Dennis Aubrey, PJ McKey and Via Lucis are Views from the Edge‘s favorite companions on the way.
Gordon C. Stewart, Chaska, MN, Dec. 21, 2017
The subconscious is ceaselessly murmuring, and it is by listening to these murmurs that one hears the truth. ― Gaston Bachelard, The Poetics of Reverie
Basilique Saint Austremoine, Issoire (Puy-de-Dôme) Photo by PJ McKey
There is a conceptual difference between Gothic and Romanesque churches and cathedrals. While the Romanesque builders paved the way for the Gothic, there is a deep and wide chasm between the two worlds. It starts on the outside – Gothic cathedrals make you want to sit on a bench and admire the exterior. One enters later and experiences the wonders of the soaring internal architecture.
The exterior of Romanesque church architecture is different, much simpler. It is dominated by three features – the clocher, west front, and the chevet. The clocher (or belltower), like the contemporary church steeple, identifies the structure from the distance as a church.
Église Saint-Révérien, Saint-Révérien (Nièvre) Photo by PJ…
We post Dennis Aubrey’s latest epistle for a number of reasons. Readers of Views from the Edge may recall that the Via Lucis photographic essay on the stones singing at Vizelay inspired a sermon on the stones singing. Here the monk who wrote the history of these Romanesque churches comes out from the shadows in a lovely tribute by Dennis, complete with pictures of PC and Dom Angelico Surchamp.
We are finally home again after two months photographing in France, Spain, and even a little bit of Italy. We drove 6,960 kilometers during that time at an arrive speed of 51 kilometers an hour, which translates to 4,344 miles and a dazzling 32 miles per hour. This demonstrates the narrowness of the country roads where we drive and the amount of time we spent in the Pyrénées and Alps. Until we hit the highway returning to Paris, the average speed was 48 kilometers per hour!
The trip ended in Vézelay at the Crispol hotel, which is almost like home to us. The Schori family is always so welcoming and the addition of the two children Max and Clémence makes it even brighter. It is always bittersweet leaving France. We love it there but we are always anxious to return home, this time to our new house amidst the Amish
Once again Dennis Aubrey’s writing and photography on Via Lucis Photography of Religious Architecture offers a rare jewell worthy of wider circulation.
Beziers has fallen!
Clerks, women, children:
They killed Christians too.
I rode out,
I couldn’t see nor hear a living creature.
I saw Simon de Montefort.
His beard glistened in the sun.
They killed seven thousand people!
Seven thousand souls who sought sanctuary
In St. Madeline’s.
The steps of the altar were wet with blood.
The church echoed with their cries.
Guiraut Riquier, troubadour (Translated by Martin Best)
In 1130, the master builder Gervais built a Romanesque cathedral in the thriving episcopal town of Béziers. Built eighty years before Notre Dame de Paris, it had a comparable nave height as that Gothic masterpiece and was 50 meters long. Evidence given at the time indicates that it was a truly remarkable structure but it lasted only 79 years. The Cathedral of Saint Nazaire was burnt to the ground on July 22, 1209.
In a world where what passes for news are articles about the megalomaniac Donald Trump, the Kardashians, and the Jenners, we occasionally find something worth consideration.
On August 25 a funeral mass was celebrated in the Italian town of Montefortino at the chiesa della Madonna dell’Ambro. The recipient of the mass was a Capuchin friar, Padre Pietro Lavini who lived as a hermit in the Sibylline Mountains near Rubbiano Montefortino and along the Gola dell’Infernaccio, the Gorge of Hell. A thousand people attended the service of the man who died two weeks prior, on August 9, 2015.
Why did they come to this mass? What did Padre Pietro accomplish with his life as a hermit?
Padre Pietro Lavini, photo from Santuario Madonna dell’Ambro
In 1971, Padre Pietro discovered the ruins of the Eremo di Santo Leonardo, an abandoned 12th century Benedictine monastery in the wilds of the Sibyllines. All…
“Blameless people are always the most exasperating.”– Mary Ann Evans [pen name, George Eliot], Middlemarch, A Study of Provincial Life, 1871.
Blamelessness and exasperation have characterized both sides of a recent conversation on Views from the Edge. Not blamelessness exactly, but certainty, positions that seem to each party to be apparent and true beyond a doubt. Each of us has become exasperated with the other.
Jesus’ word to the harsh critic of others – “You hypocrite, first take the log out of your own eye, and then you will see clearly to take the speck out of your brother’s eye”- is forgotten or ignored. Claims to righteousness and suspicion of the other replace self-criticism and magnanimity.
We live increasingly trapped in separate bubbles of survival in the war of ideas, convictions, platforms, moralities, religions, and ideologies in the search for security.
Instead of bubbles, Dennis Aubrey’s A Patron for Prisoners uses the metaphor of prison, quoting a sage from the 5th Century C.E., Saint Léonard of Noblat, the patron saint of prisoners, whose “Song” (based on Psalm 107) describes a hope for liberation from the prison cell whose doors we have locked from the inside.
“A Patron for Prisoners” opens with The Song of Saint Léonard of Noblat (5th Century):
He has liberated those sitting in darkness and shadow of death and chained in beggary and irons,
Then they cried to the Lord in their trouble, and he saved them out of their distresses,
He brought them out of the path of iniquity,
For he hath broken the gates of brass, and cut the bars of iron in sunder,
He hath liberated those in bindings and many nobles in iron manacles.
– Song of Saint Léonard, quoted by Aymeri Picaud, translated by Richard Hogarth
Saint Léonard’s Song ends with the release of the nobles, the only class of people named among the liberated throng. It is no mistake that he includes them among those to be blessed by release from iron manacles. We are all bound in the prison cells of logs and specks, blameless and exasperated, fearful of our survival on the other side of the release.