Tag Archives: Denial of Death

Time

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My son once asked me “What is time?”

I answered, “I don’t know. It’s a perennial question of philosophers and theologians. But, so far as I can tell, time is what we have.”

Some people think that time isn’t real. It’s a human construct and only eternity is real. They think of time and place as the prison of the soul, the antithesis of, or the prelude to, eternal life.

It always seemed a bit strange to me. Like the imaginary friends children make up because they’re afraid of being alone in the dark. I could never understand.

“Time is what we have.”

The animals know what time is. They also know eternity. They wake and sleep with the rhythms of the sun – rising and setting daily – the markers of what we call time. They know nothing about clock time or the names of days, months, seasons or years, but they live in the reality of time.

Time is what we have between birth and death. Eternity is the depth of time, the Mystery beneath, within, and beyond the limits of time. We participate in the eternal, but we are not eternal. To think otherwise is to consider ourselves the exception to nature itself.

The illusion of superiority to nature – the idea that the human species is nature’s singular exception – is a fabrication peculiar to the species that considers itself conscious. The imaginary friend of eternal life may help us sleep better at night, but it leads to slaughter and, eventually, to species suicide.

Ernest Becker (The Denial of Death) saw the denial of death as bedrock to American culture. The denial of death – the refusal to acknowledge it as real; the flight from the knowledge of our mortality – not only deprecates life here and now; it takes into its hands the life and death of those different from ourselves. It builds towers to itself that reach toward the heavens while it plunders an earth it considers too lowly for its aspirations.

Time is our friend and time is our limit. We are meant for this. “Grace and pride never lived in the same place,” says an old Scottish proverb, for pride always seeks to exceed what is given (grace).

Time is what we have. Time is a participation in the glory of God. If there’s more, it will only by grace.

Why is pop culture fascinated with the end of the world?

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Minnesota Public Radio’s Public Insight Journalism asked the question after release of the film Seeking a Friend for the End of the Earth. Here’s how I responded.

Ernest Becker’s The Denial of Death makes the case that our culture is death-denying.

One could argue that our fascination with end of the world films and stories is an entertaining and objectified way of dealing with one’s own personal destiny. Every death is “The end of the world.” The end of the world writ large on the planetary screen moves the issue into the world of fiction, fantasy and myth from which, like all cultures before ours, we create meaning in the midst of time.

There are other reasons for our fascination, of course. Supreme among them, in my view, is the dualism and the violence that saturate Western culture: God/Satan, Good/Evil, Moral/Immoral, Saved/Damned, Blessed/Cursed.

It is this misreading of ancient Jewish and Christian texts that makes the will to power the central theme of our time. The late Japanese Christian theologian Kosuke Koyama said that all “sin” has the same root. It is the claim of “exceptionalism.” Under the banner of nationalist exceptionalism’s shameless stealing of the metaphor of “the city set on a hill” away from its proper setting in Jesus’ nonviolent Sermon on the Mount, we assume Western Culture and the U.S.A. to be the Golden City and the agent of divine will. The exercise of that fallacious conviction results in wars of foreign intervention, occupation, and “pre-emptive strikes” in the name of national security.

We have become a national security state. The “end of the world” fascination in our time is heightened by the knowledge that global destruction – nuclear night – is entirely possible. We fear it. We know it. Yet we are also a culture addicted to entertainment where our worst nightmares get projected onto a movie or television screen where we know that what we’re watching is fiction. The fiction is almost always a high-tech version of the old racist and xenophobic dualism my generation grew up on: cowboys and Indians.

Beneath the question of why our culture is fascinated with end of the world is human nature itself. We human beings, like all other animals, are mortal. We may be exceptional in that we are (more) conscious and self-conscious, but first and last, we are animals. We are born. We live. We die.

As conscious animals, we are capable of great feats. We are also, so far as we know, the only animal capable of self-deception, denial, illusion, and species suicide. The denial of death is the great denial, and immortality is the human species’ great illusion.

The fact of death looms over life for each of us existentially and for the species itself from the beginning and in the middle, not just at the end.  Death is our shared destiny. Death is extinction. Our fascination with the end of the world is a strange Molotov cocktail comprised of all of the ingredients of the human condition, most especially the spiritual terror of annihilation, and the illusion of winning. It is the ongoing legacy of the biblical myth of Cain, humanity’s “first-born” who kills his brother Abel, the myth that describes our time and place in history.

If, like in the movie, you had only three weeks left before the end of the world… What would you do?

I’d do what I’m doing now only more consciously. I’d continue to write each morning. I’d do my best to live gratefully, attending to beauty in nature and in art (classical music and paintings) and to family and friends. I’d pray more thoughtfully. I’d walk my dogs more joyfully, stop yelling at them for barking, and find a place on the North Shore to look out to the horizon of Lake Superior. I’d eat lobster and Dungeness crab with lots of hot butter and salt, rib-eye steaks, garlic mashed potatoes. I would avoid Brussels sprouts! I’d end each meal with a Maine blueberry pie, flan, or Graeter’s ice cream, and a Makers Mark Manhattan.  Then I’d settle down on the couch next to the love of my life, Kay, by the fireplace, turn off the news, see if we can make a little fire of our own, get anchored again in the Sermon on the Mount, and return to sources of joy and laughter in the poems of Hafiz. I’d give up being intentional/purposive. I’d live in the moment.